So far I have written a background for my project:
docs.google.com
This was mainly written in conjunction with James Kowzac (well.. I used a lot of the notes he wrote for me during our first online discussion.) and it needs academic referencing and some further explanation.
At the hairdresser's this afternoon I wrote a few notes:
It's amazing how a project can swing from brilliant to hopeless and back again. Deciding to carve the lines of the Walter Benjamin (WB) Abstract Heads (AH) was brilliant - but the result that I printed on 40cm x 40cm paper was really poor - and the strange shape of the work really off-putting. I wanted a newspaper shape, but thought that 40x40 would be more arty, but realise now that there is something fundamental about a "portrait" shape for a newspaper. I've been looking for a source of newsprint to make the feuilleton but getting nowhere fast. The language barrier is definitely one of the boundaries that need breaking here! Still it was suggested that I check out a couple of shops that sell paper, and I duly went along to Raiman. Here is discovered that they have all sorts of paper, including a very nice recycled sheet of 90cm x 64cm. Folded this gives me 64x45cm which is a very nice shape and size for an arty newspaper, though somewhat larger than the old Broadsheet papers. I'm hoping the photos of the audience opening the feuilleton will look fabulous with this size, and it gives me plenty of room to do an outline AH and then to put something at the bottom. So this might not be the 40x40 design I was thinking about after the Torres-Garcia exhibition (I'll need to get you up to speed on that later) but we'll see how it goes.
Along with the Feuilleton I am going to have a small (A4) piece of paper wrapped around the rolled up newspaper. This will serve two functions; it will recall the similar piece of paper wrapped around newspapers at the time WB was writing notes for his Arcades Project (and which he used to scribble notes on!), and it will enable me to print some "instructions" for the audience in different languages. (I like the idea of using Google Translate to do the Japanese and Chinese translations to provide a really bad translation, in the way that instruction manuals used to be).
In terms of reference material for this project so far I have:
Groundworks - my first attempt at embossing street ironmongery and printing with pieces of found paving and bricks.
From Groundworks |
AH WB (Sculpture)
From Abstract Head Experiments June 2011 |
Feuilleton
From Abstract Head Experiments June 2011 |
Outline Print
From Abstract Heads Experiments August 2011 |
Frames
I also have a pile of old picture frames which I have painted black and blue. I need some to be orange, to keep the colour scheme in tact too. These are to be placed around the area of the WB Memorial Gardens to highlight some of the mundane but interesting sites, giving them the same importance as any other work of art.
Remains ( see film) [and I have just ordered a copy of "Arcades Project" by WB.
WB talked about playing in the rubble of a building site.... need to expand on this.
Finally, I feel that I might like to put some WB quotes on the Feuilleton, but this might detract from the "artwork" nature of it, and in any case, I'm not sure how I would physically print it on.